pierre bonnard was a french painter and printmaker, as well as a founding member of the post-impressionist group of avant-garde painters les nabis. bonnard preferred to work from memory, using drawings as a reference, and his paintings are often characterized by a dreamlike quality. the intimate domestic scenes, for which he is perhaps best known, often include his wife marthe de meligny. bonnard has been described as "the most thoroughly idiosyncratic of all the great twentieth-century painters", and the unusual vantage points of his compositions rely less on traditional modes of pictorial structure than voluptuous color, poetic allusions and visual wit.
皮埃尔-博纳尔(pierre bonnard)是一位法国画家和版画家，也是后印象派前卫画家团体纳比派(les nabis)的创始成员。博纳尔喜欢根据记忆进行创作，以图画作为参考，他的画作往往具有梦幻般的特点，最著名的亲密家庭场景往往包括他的妻子马特-德-梅里尼。 博纳尔被描述为 "二十世纪所有伟大的画家中最特立独行的人"，其构图中不寻常的视点(苏轼的诗有哪些？苏轼被我们熟知的诗有《题西林壁》、《饮湖上初晴后雨二首·其二》、《水调歌头》、《念奴娇·赤壁怀古》和《题领巾绝句》等等。)较少依赖传统的绘画结构，而是依靠丰满的色彩、诗意的暗示和视觉机智。
the woman in this painting is likely bonnard’s wife, marthe de méligny, who is putting on black stockings as her toffee-colored hair frame her face in several of the artist’s works.known for his bold use of color, bonnard sets his model against a rich gold background, her figure defined with hints of green and blue that separate her limbs from the sea of fabric. a sense of movement is created through the waves of tousled hair and organic form of the serpent-like stocking waiting to be put on.
这幅画中的女人很可能是博纳尔的妻子梅利尼，在画家的几幅作品中，她都在穿黑色丝袜，太妃糖色的头发勾勒出她的脸庞。博纳尔以大胆用色彩而闻名，他把模特放在饱满的金色背景前，她的身材以淡淡的绿色和蓝色界定，将四肢与大片的织物分开。凌乱的头发和等待被穿上的蛇形长袜的形状创造出一种运动感。
we present today's work thanks to the cleveland museum of art. :)
感谢克利夫兰艺术博物馆与我们分享今天的画作。:)